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OPINION
Editorials
Channelling Marilynne: Translation as Possession, Envy And Belonging
Editorial for Issue 121
CREATIVE
ROSEY BROWN
Adrift
The next week it is stormy; the week after, it snows, but the week after that, Clover is ready to show me the abandoned houses where we can look for books.
‘I’m surprised you haven’t done it before,’ she says. ‘You don’t go anywhere, do you?’
NEWS'Love in the Time of Cholera': New Welsh Review Campaign Successful despite COVID 19!
Today (2 April 2020), New Welsh Review's Crowdfunder campaign successfully raised £15,422 in 35 days
more...
OPINION GWEN DAVIES
Your Chance to Secure New Welsh Review's Future
We have launched a Crowdfunder campaign #SecureNewWelshReview in order to urgently raise £14,000 so that we can keep thriving. We are now appealing to our readers, supporters and the literary community in Wales and beyond to pledge; the move follows funders’ cuts of over £17,000 in 2019: a 20% reduction. Readers, writers friends and supporters can pledge by visiting this page.
BLOG
01/04/2020
Hidden, Series 2
Lee Tisdale reviews the drama of family relationships, mystery and murder in TV series Craith/Hidden, season two, set in north Wales
21/03/2020
The Porthcawl Celtic Festival
Amy Aed revels in the festivities of the Porthcawl Celtic Festival, Cwlwm Celtaidd
21/03/2020
A Marxist in Heaven
Amy Aed reviews the captivating performance of a marxist in heaven
New Multimedia
We present an animated trailer of Peter Goulding's On Slate, a humorous and engaging nonfiction account of the oddball community of rock climbers on Dinorwic's slate quarries in Snowdonia in the 80s, winner of the New Welsh Writing Awards 2019 Rheidol Prize for Writing with a Welsh Theme or Setting. Also, a filmic trailer of a dystopian novella by JL George with big themes of propaganda, communication and cohersion with a touching teenage boys' friendship at its heart. Winner of the New Welsh Writing Awards 2019 Aberystwyth University Prize for a Dystopian Novella.REVIEW
Geiriau Diflanedig
Dewi Huw Owen notes the different emphasis of Macfarlane’s original text and its Welsh adaptation, the former addressing lexical shifts, the latter the shift, indeed possible loss of a whole language more...
VINTAGE GEMS
CATHERINE FISHER
The Other Wales
In my own work it was particularly clear to me that the real location can travel through the writer’s imagination, be transformed and end up very differently on the page. Touring Tredegar House and knowing very well that a room or a turn of corridor were settings where I had imagined a fragment of story, or a certain scene, it was disconcerting to revisit and realise that not only were they not as I described them, but that I had imported, changed, even transmuted the whole place into a fictional other... more...
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Contact us:Registered Office PO Box 170, Aberystwyth, Ceredigion, SY23 1WZ - Telephone 00 (44) 1970 628410 admin@newwelshreview.com
© New Welsh Review Ltd, all rights reserved - Registered in England and Wales - Registered number: 02493828