Review 16, May 2017

Welcome to Review our monthly online supplement of review and comment. Make sure to check this page frequently as free to view and subscriber only reviews and comment pieces are regularly added to this page. This time it is for subscribers only.

In this issue:

Editorial: Gwen Davies Some Small Portion of Eternity


• Jack Pugh on Ancestral Lines by Jeremy Hooker. Jack Pugh enjoys a poetry collection inspired by family photographs that attempts to reconcile the grittiness of ‘place’ with its memory (subscribers only)

• Chris Moss on Deaths of the Poets by Paul Farley & Michael Symmons Roberts. Do poets have a special, secret knowledge of death before it strikes them? How much do readers of poetry want their poets to be death-prone

• Ashley Owen on Falling Creatures by Katherine Stansfield . [i:Falling Creatures], published in March 2017 by Alison & Busby, is the second novel from author Katherine Stansfield, but the first instalment in her new historical crime series. (subscribers only)

• Kieron Smith on Hummingbird by Tristan Hughes. Tristan Hughes’ author biography states that he was born in Atikokan, ‘a small town in northern Ontario’. (subscribers only)

• Ashley Owen on Light Switches Are My Kryptonite by Crystal Jeans. The story at the heart of Crystal Jeans’ second novel, Light Switches Are My Kryptonite, is deceptively simple: a father and son are struggling to mourn the loss of a wife and mother. (subscribers only)

• Jem Poster on The Doll Funeral by Kate Hamer. Jem Poster is mainly impressed by Hamer’s follow up to [i:The Girl in the Red Coat], a complex exploration of ancestry and inheritance enriched by a shadowy supernatural dimension (subscribers only)

• Mike Parker on The Nine Lives of John Ogilby by Alan Ereira . Unusually, this is a book born in a remote Welsh ditch. Alan Ereira was producing a 2008 BBC Wales series about the road maps of John Ogilby in his 1675 atlas, Britannia. (subscribers only)

• Jack Pugh on Who Killed Emil Kreisler? by Nigel Jarrett. Jack Pugh writes that this noirish and bleak short story collection, influenced by music in its subject, cadence and pacing, is best listened to with, or as, jazz. (subscribers only)

Interview: Suzannah V Evans Paul Stephenson

Read other Review issues

Review 1 - 2015

Review 10 - 2016

Review 11 January 2017 - New Welsh Review

Review 12 - February 2017

Review 13 - March 2017

Review 14 April 2017

Review 15 - May 2017 - New Welsh Review

Review 17 July 2017 - New Welsh Review

Review 18 August 2017 - New Welsh Review

Review 19 September - New Welsh Review

Review 2 - 2015

Review 21, February 2018

Review 22, March 2018 - New Welsh Review

Review 23, April 2018 - New Welsh Review

Review 25, July 2018 - New Welsh Review

Review 26, August 2018 - New Welsh Review

Review 28 - November 2018, New Welsh Review

Review 29 - February 2019, New Welsh Review

Review 3 - 2015

Review 30 - March 2019, New Welsh Review

Review 31 - April 2019, New Welsh Review

Review 32 - July 2019, New Welsh Review

Review 33 - August 2019, New Welsh Review

Review 34 - November 2019, New Welsh Review

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Review 36 - March 2020

Review 4 - 2015

Review 5 - 2015

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Review 7 - 2016

Review - 2016

Review 9 - 2016


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