Long before visiting Anna Falcini’s In Between the Folds are Particles at Oriel Davies, I’d decided that I was going to forget all previous knowledge of the artist Gwen John. I’d come to the show as a blank slate. My first encounter is with a contemporary print of John’s portrait of Girl in a Blue […]
To access this content, you must be a subscriber to New Welsh Review. Subscribe today Existing subscribers, log in to view this content.